Academy Award® nominee Will Smith (Best Actor, The Pursuit of Happyness, 2006) stars in this action-packed comedy as Hancock, a sarcastic, hard-living and misunderstood superhero who has fallen out of favor with the public. When Hancock grudgingly agrees to an extreme makeover from idealistic publicist Ray Embrey (Jason Bateman, Juno), his life and reputation rise from the ashes and all seems right again--until he meets a woman (2003 Academy Award® winner Charlize Theron, Best Actress, Monster) with similar powers to his and the key to his secret past.
Product Details:
Actors:
Will Smith, Charlize Theron, Jason Bateman, Jae Head, Eddie Marsan
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Digital CopyFeb 19, 2010 Don't bother trying to download the digital copy.
Offer expired.
No date shown on insert as Sony says.
HancockDec 26, 2009 Hancock was gripping, heartfelt, and totally unexpected. It has the perfect amount of action, comedy & suprises. Will Smith doesn't disappoint. I highly recommend seeing this movie.
Lousy vehicle, great driverNov 07, 2009 Have seen Will Smith since his first commercials for "The Fresh Prince..." and was immediately struck by the talent. He has done a lot of great work, and, with all of the genre has had his bad ones. This movie, however, was such a simple minded, disconnected mess, that the only thing worth watching was the HD and if someone other then Mr. Smith had been the driver in the "plot" the whole thing would have been an inglorious spoof of really bad movies. Let's hope he'll do something soon that showcases the talent and not just his boxoffice draw.
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a good watchSep 12, 2009 If you like Will Smith like I do, well that just about says it. Great Movie
Good, but neutered movie.Sep 06, 2009 I had the privilege of having my Mistress give me this 2-Disc edition the last holiday season which also had the pop-up packaging and the lithograph. And while it's not a great film it does offer a few moments.
One of those moments is available in the unrated edition why mere mortals just can't handle coitus (visualize bulletholes in the ceiling). In "My Super Ex-Girlfriend" it was nice to see the female perspective (besides, Uma Thurman is a goddess in her own right). Now with this one you get the male perspective (albeit a misogynistic one).
And yet, for how edgy this movie appeared to be, it still seemed like a lot of punches were pulled to make this marketable rather than an effective satire of the genre. Did we really need the hackneyed subplot of how the "hero" had to go through prison and rehab to restore his image? How many times has that plot device been used? Or the poorly integrated subplot regarding the bank robber, his convenient prison escape and his revenge? Certainly such time would've been better filled with more as to Hancock and his long-forgotten partner's origins (or, to the circumstances of their mortality, these "gods" aren't gods after all...where's Zuul when you need her?)
I was impressed by the special effects and how they clearly helped to shown how Hancock's actions do have repercussions. There is a lot wrecked on screen and he just doesn't care. It also helps when the actors were fully digitized and texture-mapped onto 3D-models. If this trend continues more brain-dead movies can be made as photorealistic as possible and the actors can simply phone in their performances. It didn't quite work with "Final Fantasy: The Spirits Within" but at least they got the woodenness down in all its CGI glory. This movie is a step in that direction, at least.
And the performances are serviceable at best. Everyone got paid well and it shows. The image makeover executive is as bland and effeminate as possible. Just another walking cliché that telegraphs the ending of the film. And his butch wife? Well, isn't it a coincidence that his wife has a big secret? Well, that sounds like another cliché as well. And as the two superheroes battle with each other I couldn't help but be reminded of the by far superior X-Men films when, even in their not-so-great bits, are by far better than this. I was literally waiting for Storm to arrive and kick both their asses with a firm pimp-style backhand and place them in bondage for her own pleasure in their punishment.
Not that movie actors should be role models, of course. After all, Halle Berry got paid well for "Catwoman".
Peter Berg, whom I remember best for his work in "The Great White Hype" and "Very Bad Things" is serviceable at satire. That means that if he's on he hits near the target. But watch out when he's off. That includes the spectators behind him. And while there will be a few people who'll say that the PG-13 version of the film was neutered, take heart: It never had the stones to begin with to go all the way. Aside form the aforementioned sex scene there is really no substantial difference between the two.
And the fact why there's a theatrical and unrated edition is this: Money. It's worth spending extra for the extended director's cuts of James Cameron's films, for example. Here it's just a marketing ploy to make it appear that Berg's vision was altered for the sake of corporate cronyism when that was the plan all along. I get the same feeling of consumers being duped when they swoon over "Digital Copies" when ALL DVD's are all digital copies already! With the right FREE (!) tools anyone can place a version of their media on anything (I've been doing that before it was marketed in its "friendly" DVD space-hogging, neutered, expiring, paranoid DRM-encrypted and E-mail address/IP-logging version). This version's DC is set to expire on 2009/11/25.
Anyway, all the special effects and the sex scene can't cover up what a huge cynical affair Hancock truly is. It's not good satire and it does have it's moments. But Peter Berg at least did pull off one good joke, right? Certainly there is a lot of fun to be had but it's not quite fun if you already know the punchline.
based on 173 reviews
