One of the best-loved John Ford/John Wayne Westerns was this "three outlaws and a baby" drama, as fugitives Wayne, Pedro Armendariz and Harry Carey, Jr. promise a dying woman that they will care for her newborn child and begin a harrowing trek across the desert with their charge. Ward Bond, Mildred Natwick also star. 106 min. Standard; Soundtracks: English Dolby Digital mono, French Dolby Digital mono; Subtitles: English, Spanish, French; theatrical trailer.

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It's a sentimental tale of 3 bandidos with hearts of gold, completeing a promise they made to a dying woman to take care of her baby, and it's so well written and lovingly made that it never gets corny. This is good old fashioned entertainment, and entertaining it is, as these heroic good/bad men are chased by the sheriff and his posse across the desert, with a Bible as their map. John Ford made many inspirational films, and this is one of my favorites.

8 of 9 found the following review helpful:

Old fashioned very enjoyable John Ford Western starring John Wayne and Ward Bond as his worthy opponent.Jul 23, 2007
By Robert J. Evered
This oft-filmed story is from a sentimental novel "The Three Godfathers" written by Peter B. Kyne. John Ford who had earlier made a silent version MARKED MEN (1919) with Harry Carey. Another remake THE THREE GODFATHERS (1936) was a highly acclaimed version directed by Richard Boleslawski. The 3 GODFATHERS (1948) reviewed here is noted for being Ford's first colour film and for its opening touching dedication to one of John Ford's early favourites: `To the memory of Harry Carey' - `Bright star of the early Western Sky.'

Three bank robbers Robert Marmaduke Hightower (John Wayne), Pedro `Pete' Roca Fuerte (Pedro Armendáriz) and William Kearney `The Abilene Kid' (Harry Carey Jr.) ride into the town of Welcome Arizona and rob the local bank on trying to make good their escape they hadn't reckoned on the tenacity of the marshal for the territory of Arizona Perley `Buck' Sweet (Ward Bond) and his deputy Curly (Hank Worden). Forming a posse they hop on a train, hoping to ambush the outlaws at Mojave Tanks. The three bad-men arrive just in time to see the train coming with the posse onboard. Waterless they decide to head north for Terrapin Tanks across a beautiful but hostile desert, hoping that the marshal would figure that they would head for the easier route to Apache Wells.

On arrival at Terrapin Tanks they discover that a greenhorn settler, has left his heavily pregnant wife in a covered wagon and had destroyed the Tanks with dynamite whilst trying to find water. The mother (Mildred Natwick) dies shortly after giving birth to a baby boy, but not before naming the boy Robert William Pedro Hightower after the outlaws and making them Godfathers to her newborn son and further promising to take him to the town of New Jerusalem. Having earlier lost their horses they struggle on, following a Biblical like Star across the desert on foot desperately trying to fulfil their promise to a dying woman. Closing in on the three godfathers is the ever-persistent Marshal Sweet. Will they or wont they make it to New Jerusalem with the newborn boy-child?

A great musical score by Richard Hageman with "The Streets of Laredo" filtering through as does once or twice a hint of the music from STAGECOACH (1939). Which is not surprising as Richard Hageman was responsible for that too! Nearly, if not all of the players here are Fords usual friends or favourites known affectionately as "Ford's Rolling Stock" many straight from Ford's previous film FORT APACHE (1948) all turning in good performances? Perhaps best of the lot was fittingly reserved for Harry Carey Jr. Perhaps it was one of Ford's little jokes or all that was available at the time but the baby boy in the film was obviously a girl (Amelia Yelda)!

Not one of John Ford's best Westerns judged by his own very high standards but never-the-less a very enjoyable one at anytime, but perhaps best of all during the Christmas period! This 2004 Warner Bros. DVD Release includes the Theatrical Trailer.

10 of 12 found the following review helpful:

Love Duke, love this movieJul 30, 2003

I'm giving this four stars instead of five simply because five stars is reserved for true masterpieces - for films virtually without flaw. This film is flawed, but oh so wonderfully lovable. I won't bother to retell the plot, as others have already done a better job than I can, but I will just say what I love about it.

The performances: Pedro Armendariz & Harry Carey Jr. are wonderful. I think of the scene where Pedro steels his resolve and heads into the tattered covered wagon to help deliver Mildred Natwick's child; his face reveals a wonderful mixture of dread, awe, responsibility, resolve, strength, determination... And John Wayne is at his irascible, lovable best - at turns impatient and scolding, tender and understanding - truly avuncular. He is clearly the leader of the group, and being 6'4" of John Wayne, he commands (and gets!) most of our attention, but never in a way that diminishes the other two men or moves them too far into the background. The relationship between the three characters is wonderfully drawn and complementary; obviously they all had great chemistry together.

The story: The desert is a harsh and unforgiving place, but this film shows that even in the desert you can find redemption. Robert Hightower's soul is in a spiritual desert and it is for this reason that he must be the one to bring the baby to New Jerusalem. He has to find his own redemption and his own peace walking with God, which the other two men already seem to have. I know some may not share in the Christian faith that John Ford obviously had and thus may find the symbolism in this film heavy-handed, but I for one think it lent a great deal of emotional depth. Every soul is longing for something more, and for something greater than itself, and though I know little about Ford as a person, it seems to me that he knew this something more can only be found in Christ. There is so much more I could say about the symbolism in this film - the water, for example, that the men are constantly craving and aching for - think of the Samaritan woman at the well in the Bible and what Jesus tells her (John 4). This is a highly spiritual film!

It is also at times highly comic. The funniest part, and one I could watch over and over again, is when the men are puzzling over what to do with their godson. Just the sight of John Wayne holding the tiny infant in his huge hands is downright sweet and endearing. Then the Kid pulls out Doc Meecham's book of baby advice, advice that prompts JW to say he wouldn't trust a "sick polecat" to the good doctor's care. One of the things the doctor suggests is rubbing the baby down with olive oil or clean lard. Pedro finds some axle grease, and the next thing we see is Wayne's huge hand dipping into the yellow grease and "greazing" the tiny baby's body, a sight that strikes the characters as funny as it strikes us. But it's much better seen than described so I will leave off. Suffice it to say that this is a highly enjoyable film that moves easily between sad & funny moments, and one I will be turning to often.

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